A couple of weeks ago, I attended a drawing class. It’s something I’ve been wanting to try for years, basically ever since I had to choose between art and music at school aged 15 (due to timetabling reasons) and chose music. I’ve always suspected I’d love drawing and would relish the opportunity to have a proper go. I’ve modelled for countless artists over the last decade but have been keen to try my hand at the other side, and signed up to the mailing list of a local artist, planning to go when my diary aligned with his class, which happened a couple of weeks ago.
When I pulled up outside the artist’s studio for the group class and the door opened for me, I was startled by the artist who welcomed me in… He was utterly dreamy, twinkly and greeted me with what felt like possible excitement. The class was really fun. I was terrible at rendering the model’s portrait at first but got gradually better under his tuition; I managed not to faint at his biceps when he stood close to demonstrate (who knew artists had biceps?) and listened, rapt, to his not-from-round-here accent. We made shy conversation (well, he was fine, in his element, telling me about measurements and how to line things up on paper; I was shy, obedient, enthusiastic). The small class was mostly conducted in silence (pity the model who later told me he passed the time by counting) and so all flirting had to be minimal and understated; touching knees as he showed me what he would do differently, small questions about my week/life/interests, a slight bit of flusterment on his part when I asked about the paintings of his that lined the walls. Continue reading