I am finding it continually fascinating how other people take up pavements. The space on pavements, I mean; I don’t mean they take up pavements as a hobby.
I’m in the sort of place (though imminently won’t be, as I’m on my way home within the next 24 hours) in which people are languid en route from A to B, they stop and dawdle and look to the left and the right at all the colours and ornate doors and floaty dresses swaying in the breeze (though we shouldn’t look anywhere but at the floor, perhaps, since health and safety isn’t much of a thing here, unless you take an importantly-positioned plastic bottle as enough of a ward against your head being spiked, and a string barrier enough of a gesture towards the community’s hope that a person won’t fall down a two-metre hole where a pavement has collapsed). Pavements seem, on the whole, precarious; they seem to simply fall down, upon looking at the evidence. Maybe it’s the earthquakes. Nothing a bit of make-shift wood can’t make a bridge over, anyway; otherwise simply a cone (or, if you don’t fancy the long-jump, a detour) will do.
A few days ago, arriving at a local community space for a tribal bellydance class (which had me afterwards ruminating about my oft-visited idea of teaching it as a side project, though I later wonder if what I mean is that I would love to simply perform more; of all the dances I’ve danced over a dance-filled life so far, it is by far the most intricate and the most sensual; the most hypnotic and precise), I bumped into a man I’d met here a year ago (we played scrabble together when the whole island shut down over Nyepi; he beat me to a pulp with his easy familiarity with two-letter bizarrities of the English language, only later letting me know that he’d competed successfully for years, by which time I was pretty sulky on the inside). He is an interesting and energetic fellow – speaks Indonesian fluently (I’d forgotten this; it was a surprise when we were ordering our juices together the next day at a secret hideaway warung I’d never been to before) and attends a multitude of AA meetings, dipping in and out of the UK doing short stints of social work to fund his spins on his bike around Bali. Anyway. He introduced me to the local library, which is just inches from my homestay but so tucked away I would never have known about it. Outside, the corridor of approach is lined with what appears to be an installation of giant water bottles; anyone can refill their own bottles for a fee. You have to crouch to hold your bottle neck under the giant bottle as though receiving a blessing.
As I entered the library, I felt like I was walking into a wonderland; Continue reading
Further to this post (‘Why you don’t like papaya?’) last year…
…This morning’s conversation with Ketut, the perpetually yawning, hand-shaking, backward-cap-wearing, eye-rolling, giggling, 24-year-old chatterbox (when not just woken up) and pillar of this Balinese homestay:
Me (stoicially eating papaya on the terrace outside my room after breakfast was delivered, total paradise and luxury but quite standard for low-cost accommodation here in Ubud, and something achieved either immediately upon waking or after a series of small coughs aimed to invite the offer of a fruit salad; there is no restaurant area; a tray comes when you have shown sign of life; in fact I have no need of a morning alarm, since part one of the morning ritual, at roughly 7am, involves tiny footsteps padding barefoot past my first-floor room and the slight music of a cup and saucer making contact on the wood-carved table outside; a huge flask of hot water and a tea bag is left for me to enjoy until I make myself known to the garden below by way of movement; wearing bright colours aids one’s ability to be noticed, which is fine by me, since I have a near pathological addiction to bohemian dresses in all colours of the rainbow): Good morning. Continue reading
Elephant Journal has just published an article of mine:
‘Where God Is: On Home, Travel & Displacement’.
It’s very personal and confessional, a bit silly and a bit serious, and gets to the root of my eternal cravings both to travel the world and to be at home. I could gaze at the beautiful photo they’ve used (above; credited in the article; heaven in sunlight and flaking paint; they even have a sunflower on the door) for ages. Continue reading